By Jason Schneider, The Record, Waterloo
It's rare that the terms "organic" and "original" can be used in the same sentence anymore to describe an album, but that's the immediate impression one gets upon first listen to The DoneFors's debut effort, How To Have Sex With Canadians. The band's sound is as enigmatic as the album title, hearkening back to groundbreaking Canadian artists like the Rheostatics and Jane Siberry, while at the same time defying any easy categorization.
Fronted by Toronto singer-songwriter Janine Stoll, the group was originally hand-picked from members of the bands Mr. Something Something and SuperstacK to back her for her last solo release, This Is Where We Bury It, but she soon realized that their unique chemistry was spawning new ideas.
"The songs from my solo album got completely rearranged when we played them on stage, and it was soon apparent that we were becoming a band of four equal parts," Stoll says. "From my perspective, it's a lot more fun taking on the world of indie rock as a band rather than as a solo artist, and also just being a woman, I think I have a tendency to want to take care of a family. It makes me want to work that much harder."
She goes on to say that the foundation of The DoneFors is making music that all the members find creatively fulfilling. That notion certainly shines through on How To Have Sex With Canadians as evidenced by the high level of musicianship, as well as the unconventional song structures. Stoll says that she willingly embraced putting herself in an entirely new situation when it came to making the album, and she's thrilled with the results.
"I'm the only one in the band who actually didn't go to school for music," she admits. "They think about music in almost a mathematical way, whereas I'm more emotionally centred. So they've really challenged me and pushed me to get outside of my own limitations.
"There's been no hesitation to incorporate reggae or jazz or country, even though people have cautioned us about being too all over the map musically."
Stoll continues, "We're going to stay experimental, but I think there's a few tracks on the album that we feel are pointing the way to a sound that we're going to try to stick with. It might not be until our third or fourth record when that takes hold, and I like to use Radiohead as the perfect example of a band that took a while until it found a space where it was comfortable."
Such a statement clearly shows Stoll's commitment to The DoneFors, even though she has a new solo album entitled Melancholia about to come out as well. "That album was actually recorded long before we did The DoneFors album," she says. "It's just been a process of getting it mixed and finding the right time to get it out. The band actually has a break next month so that's when I'm hoping to release it. It's a much quieter record, but after that we're planning on keeping The DoneFors busy for the rest of the year."
Live: The DoneFors with Blank Blue Sky Maxwell's Music House, Waterloo Thursday, Feb. 26 $8 9 p.m. 519-498-5705
DoneFors showcase experimental side of Toronto singer with their CD How to Have Sex with Canadians
Thursday, February 26, 2009
Thursday, February 19, 2009
PRESS - Valentine's Day has come and gone, but you can still find plenty of passion in the Forest City.
By Anna Coutis, Lori Mastronardi, Brian Wong, London Free Press, London
Just step into the London Music Club tomorrow night. That's when the DoneFors will share tracks from its newly released and unabashedly named album, How to Have Sex With Canadians.
The mellow sound is perfect for more romantic evenings pour deux, while the lyrics will resonate with anyone wondering how, where or why that loving feeling slipped through the cracks.
Male and female vocals wax poetic on the new disc, with sweet songbird Janine Stoll telling most of the lyrical medleys. Joining her onstage are a trio of musically seasoned men: Mr Something Something's Paul MacDougall on electric guitar; Liam Smith on bass, and Superstack's Brian Lahaie on drums.
They've pooled their talents the last three years, to come up with their own brand of music, which they call "Canadiana vanguard and organica." Not sure what that means? Preview their sound on at www.thedonefors.com (see link), or clear your schedule tomorrow night and hear it live and loud.
The DoneFors perform in the LMC's Cellar Lounge at 9 p.m. Tickets are $8 in advance, or $10 at the door (but bring a little extra to pick up the new CD).
Just step into the London Music Club tomorrow night. That's when the DoneFors will share tracks from its newly released and unabashedly named album, How to Have Sex With Canadians.
The mellow sound is perfect for more romantic evenings pour deux, while the lyrics will resonate with anyone wondering how, where or why that loving feeling slipped through the cracks.
Male and female vocals wax poetic on the new disc, with sweet songbird Janine Stoll telling most of the lyrical medleys. Joining her onstage are a trio of musically seasoned men: Mr Something Something's Paul MacDougall on electric guitar; Liam Smith on bass, and Superstack's Brian Lahaie on drums.
They've pooled their talents the last three years, to come up with their own brand of music, which they call "Canadiana vanguard and organica." Not sure what that means? Preview their sound on at www.thedonefors.com (see link), or clear your schedule tomorrow night and hear it live and loud.
The DoneFors perform in the LMC's Cellar Lounge at 9 p.m. Tickets are $8 in advance, or $10 at the door (but bring a little extra to pick up the new CD).
Monday, February 16, 2009
WILL YOU NOT EVEN BE?
Julie,
You never came. I waited by the bar, distracted. I thought that you would come. Or I didn’t. I don’t know. But I missed you. I think if I had been attending any other concert I might’ve locked myself in the restroom and maybe would’ve tried to drown myself in the toilet. But The DoneFors somehow pacified me. So even though you didn’t come to meet me, I still felt a strange happy feeling inside. A happy loneliness, if that’s even possible. The DoneFors played a really fantastic show. I know that you would have loved it. Some great singer-songwriters opened the show. Miss Emily Brown and James Lamb. They were amazing. The DoneFors premiered a video for this song “In a Cornfield”. If you hear it you’ll probably be reminded of that graduation party at Steve Lobard’s at the end of high school. It’s the first time I kissed your sweet mouth. I miss your sweet mouth. Please find the video on YouTube. It was made by a talented production company called CONartist Films, if that helps.
Maury Povich is on and they’re doing paternity tests again. It’s family day here in Toronto and all of the grocery stores are closed. I’ll be eating Doritos from the convenience store for dinner again. Wish you were here to take better care of me. I’m bad at this being apart thing. Where are you?
Please write to me. Please.
I love you always,
Stan
Thursday, February 12, 2009
PRESS - The Donefors' debut assumes many positions
By Steve Baylin, Ottawa XPress, Ottawa
When last we heard from Janine Stoll, the Toronto-based songstress was mired in the carnal confusion that was her stark and sensual 2005 debut, This Is Where We Bury It. Inclusive to a fault, both personally and creatively, she invited a host of like-minded friends to bring her personal songs to life, working through her tales of tears, fears, fidelity and all manner of heartbreak and desire. But for Stoll, then by and large a solitary writer, what started out as a gathering of sonic session support among colleagues soon turned into a more unified joint, one whose collective instincts and heart beat as one.
Thus, the Donefors were born - newfound proud purveyors of "Canadiana vanguard."
"It just kind of came together naturally," says Stoll of her new band over the phone from her Toronto digs, gearing up for a brief mini-tour of Southern Ontario.
The quartet is now "officially" rounded out by Paul MacDougall (guitar) and Liam Smith (bass), both of whom are members of Afro-funk wunderkinds Mr. Something Something, and drummer Brian Lahaie of Superstack.
"Over a short time, everyone's contribution was equal, and completely invested in the project. And it just felt like it wasn't my project alone anymore," adds Stoll.
Recorded live off the floor in Lahaie's basement studio over "a marathon weekend" three days last April, The Donefor's debut, How to Have Sex With Canadians (a title, it turns out, Stoll randomly plucked in part from a National Geographic article, which "just kind of stuck"), is alternately buoyant and brooding, a shapeshifting set of sunkissed rhythms stoked by emotionally wind-chilled wanderlust.
"I wanted to do something that couldn't necessarily be classified, something outside the box," says Stoll of the group's intuitive flickering fusion of country, reggae, folk, jazz, pop and French chansons. "But I think the next record we work on will be even closer to the sound and aesthetic we are hoping to solidify."
When last we heard from Janine Stoll, the Toronto-based songstress was mired in the carnal confusion that was her stark and sensual 2005 debut, This Is Where We Bury It. Inclusive to a fault, both personally and creatively, she invited a host of like-minded friends to bring her personal songs to life, working through her tales of tears, fears, fidelity and all manner of heartbreak and desire. But for Stoll, then by and large a solitary writer, what started out as a gathering of sonic session support among colleagues soon turned into a more unified joint, one whose collective instincts and heart beat as one.
Thus, the Donefors were born - newfound proud purveyors of "Canadiana vanguard."
"It just kind of came together naturally," says Stoll of her new band over the phone from her Toronto digs, gearing up for a brief mini-tour of Southern Ontario.
The quartet is now "officially" rounded out by Paul MacDougall (guitar) and Liam Smith (bass), both of whom are members of Afro-funk wunderkinds Mr. Something Something, and drummer Brian Lahaie of Superstack.
"Over a short time, everyone's contribution was equal, and completely invested in the project. And it just felt like it wasn't my project alone anymore," adds Stoll.
Recorded live off the floor in Lahaie's basement studio over "a marathon weekend" three days last April, The Donefor's debut, How to Have Sex With Canadians (a title, it turns out, Stoll randomly plucked in part from a National Geographic article, which "just kind of stuck"), is alternately buoyant and brooding, a shapeshifting set of sunkissed rhythms stoked by emotionally wind-chilled wanderlust.
"I wanted to do something that couldn't necessarily be classified, something outside the box," says Stoll of the group's intuitive flickering fusion of country, reggae, folk, jazz, pop and French chansons. "But I think the next record we work on will be even closer to the sound and aesthetic we are hoping to solidify."
PRESS - The DoneFors Drug you with Beautiful Sound
By Shain Shapiro, VIEW Magazine, Hamilton
Let's face it, there are too many bands out there. The sheer amount of music available, whether it is online, live or through recordings, has grown exponentially in the past decade, as now a simple ProTools set-up can recreate studio quality sound in a bedroom, garage or rehearsal space.
Yet, quantity does not often marry with quality. It's time to describe some new music, a lovely band from Toronto called The DoneFors. Formed by full-time members of Janine Stoll's supporting cast, The DoneFors are members of the now defunct Erin Smith band, the brilliant Mr. Something Something and Superstack. Led by Stoll, the quartet began writing in 2006, while on tour supporting her then new album, This Is Where We Bury It. The resulting music struck at something new, a sound untouched by any of the members' previous projects. Therefore, armed with an in-house studio and some downtime from the aforementioned, The DoneFors sat down and recorded an album, one they have titled How to have sex with Canadians.
So the band, in essence, is not new; but this music is. And given all that's out there vying for time and attention, this album is one for the top of the pile, much like the bands the members perform in alongside. "At first we formed as my backing band in 2006 after the release of my solo CD," affirms Stoll. "But quickly, those songs quickly morphed and new songs were added to the catalogue until it became increasingly apparent that all of us were making equal creative contributions. So by 2007 we decided to surgically sew ourselves together, change our collective status to common-law, take family vacations, and have musical make out parties. We're in love now. And love hurts. But How to have sex with Canadians is the best baby that any of us have ever birthed. So the pain is well worth it."
While the quartet only had a few weeks to record, the result is quirky, boisterous pop, filtered through global grooves and Stoll's trademark pipes. Taking from Americana music, power-pop and '80s funk, How to have sex with Canadians is as fun as its title, offering just as much advice musically as its moniker promises.
"We took a relaxed approach to the making of the record," explains Stoll. "The big session was the weekend in April '08 where we hunkered down, ate lots of cookies and hummus, drank coffee and champagne while getting takes. It was rewarding to do three or four takes, have a listen, choose our favourite takes and then except it as that moment in time. Nothing you can do about it now. In terms of challenges, the main hitch we faced was having to take small hiatuses from the mixing phase due to the touring and traveling schedules of each band member. But the breaks in the process proved beneficial in the end analysis as they allowed us to return to the album with fresh ears and new insights."
As the title suggests, there are moments of musical salacity afoot here. Instead of plying the surface of what makes us and our relationships tick, Stoll and company speak starkly, honestly and at times, crudely, all in an effort to tell the truth, but still have fun with it. "There are certainly prevailing glimpses into different human relationships on this record and perhaps recurring themes of the darker and possibly deviant elements of the human experience," adds Stoll. "The different moods of each song were a crafted choice in an attempt to create an album that was both cohesive and complete. All of the songs were rehearsed and arranged before it came to recording them, but again, that was based on how we were approaching the capture of the live DoneFors experience."
"Plus, How to have sex with Canadians differs from previous recordings we've done together in that the entire album was produced from the inside out. From the writing right down to the mixing it was a team effort including three collaborative co-writes, 'The Narrator', 'Mouth Full of Marbles', and 'Lemons From Argentina'. They seem to be the tunes we're most drawn to because they represent the direction that we're headed in, rather than where we've come from. Being that we're still a young band, we'll continue to nurture a sound that distinctly includes our various paths, pasts and influences."
Together, the personnel in The DoneFors have recorded and released some of the best alternative and roots music of the past half-decade. Most of that was done independently, without any label or financial support. The campaign surrounding How to have sex with Canadians pipes along the same territory, as it's being released independently and supported by a tour the band booked in-house. The result is four musicians who, while directed, do not take themselves too seriously, a trait benefits their frolicking pop.
"With us, you will see three guys sporting beards, playing instruments and sometimes singing alongside a girl with no beard, potentially wearing a skirt-based outfit singing and playing guitar. There will be jokes told, and people in the audience will laugh, and relate in a way that makes them feel warm and fuzzy and happy to have made it out to the show."
Plus, Stoll assures the secret to how the album was titled will be released at a show, as she remains tight-lipped about how the band decided how their debut's title. "Canadians are a hardy, yet tender people," retorts Stoll. "Show them love and it shall be returned, tenfold. But you have to buy the record to really understand. Good title though, eh?"
After the tour, the band will return to other projects temporarily, whilst simultaneously throwing ideas around in order to schedule some future recording time. Stoll, as usual, is relaxed about the band's future, chance of success and direction. "We plan to take a nap, write more songs, make some music videos, flirt with record execs, perfect our baking skills, plan future tours, and spend some time day dreaming about the next great album we make together, tentatively being called "How to gag and spank an Albertan in a polite and pleasurable way". So here you have it, a new band well worth wasting hours with. The DoneFors may be exactly what Canada needs; a pop band with a heart, a conscience and a sense of humour. Go learn how to have sex with every Canadian you like at one of their CD release shows. Hamilton is this week.
The DoneFors
w/The Subterraneans Collective, Klarka Weinwurm & Jon McKiel
Thursday, February 19
@ Pepper Jack's
Let's face it, there are too many bands out there. The sheer amount of music available, whether it is online, live or through recordings, has grown exponentially in the past decade, as now a simple ProTools set-up can recreate studio quality sound in a bedroom, garage or rehearsal space.Yet, quantity does not often marry with quality. It's time to describe some new music, a lovely band from Toronto called The DoneFors. Formed by full-time members of Janine Stoll's supporting cast, The DoneFors are members of the now defunct Erin Smith band, the brilliant Mr. Something Something and Superstack. Led by Stoll, the quartet began writing in 2006, while on tour supporting her then new album, This Is Where We Bury It. The resulting music struck at something new, a sound untouched by any of the members' previous projects. Therefore, armed with an in-house studio and some downtime from the aforementioned, The DoneFors sat down and recorded an album, one they have titled How to have sex with Canadians.
So the band, in essence, is not new; but this music is. And given all that's out there vying for time and attention, this album is one for the top of the pile, much like the bands the members perform in alongside. "At first we formed as my backing band in 2006 after the release of my solo CD," affirms Stoll. "But quickly, those songs quickly morphed and new songs were added to the catalogue until it became increasingly apparent that all of us were making equal creative contributions. So by 2007 we decided to surgically sew ourselves together, change our collective status to common-law, take family vacations, and have musical make out parties. We're in love now. And love hurts. But How to have sex with Canadians is the best baby that any of us have ever birthed. So the pain is well worth it."
While the quartet only had a few weeks to record, the result is quirky, boisterous pop, filtered through global grooves and Stoll's trademark pipes. Taking from Americana music, power-pop and '80s funk, How to have sex with Canadians is as fun as its title, offering just as much advice musically as its moniker promises.
"We took a relaxed approach to the making of the record," explains Stoll. "The big session was the weekend in April '08 where we hunkered down, ate lots of cookies and hummus, drank coffee and champagne while getting takes. It was rewarding to do three or four takes, have a listen, choose our favourite takes and then except it as that moment in time. Nothing you can do about it now. In terms of challenges, the main hitch we faced was having to take small hiatuses from the mixing phase due to the touring and traveling schedules of each band member. But the breaks in the process proved beneficial in the end analysis as they allowed us to return to the album with fresh ears and new insights."
As the title suggests, there are moments of musical salacity afoot here. Instead of plying the surface of what makes us and our relationships tick, Stoll and company speak starkly, honestly and at times, crudely, all in an effort to tell the truth, but still have fun with it. "There are certainly prevailing glimpses into different human relationships on this record and perhaps recurring themes of the darker and possibly deviant elements of the human experience," adds Stoll. "The different moods of each song were a crafted choice in an attempt to create an album that was both cohesive and complete. All of the songs were rehearsed and arranged before it came to recording them, but again, that was based on how we were approaching the capture of the live DoneFors experience."
"Plus, How to have sex with Canadians differs from previous recordings we've done together in that the entire album was produced from the inside out. From the writing right down to the mixing it was a team effort including three collaborative co-writes, 'The Narrator', 'Mouth Full of Marbles', and 'Lemons From Argentina'. They seem to be the tunes we're most drawn to because they represent the direction that we're headed in, rather than where we've come from. Being that we're still a young band, we'll continue to nurture a sound that distinctly includes our various paths, pasts and influences."
Together, the personnel in The DoneFors have recorded and released some of the best alternative and roots music of the past half-decade. Most of that was done independently, without any label or financial support. The campaign surrounding How to have sex with Canadians pipes along the same territory, as it's being released independently and supported by a tour the band booked in-house. The result is four musicians who, while directed, do not take themselves too seriously, a trait benefits their frolicking pop.
"With us, you will see three guys sporting beards, playing instruments and sometimes singing alongside a girl with no beard, potentially wearing a skirt-based outfit singing and playing guitar. There will be jokes told, and people in the audience will laugh, and relate in a way that makes them feel warm and fuzzy and happy to have made it out to the show."
Plus, Stoll assures the secret to how the album was titled will be released at a show, as she remains tight-lipped about how the band decided how their debut's title. "Canadians are a hardy, yet tender people," retorts Stoll. "Show them love and it shall be returned, tenfold. But you have to buy the record to really understand. Good title though, eh?"
After the tour, the band will return to other projects temporarily, whilst simultaneously throwing ideas around in order to schedule some future recording time. Stoll, as usual, is relaxed about the band's future, chance of success and direction. "We plan to take a nap, write more songs, make some music videos, flirt with record execs, perfect our baking skills, plan future tours, and spend some time day dreaming about the next great album we make together, tentatively being called "How to gag and spank an Albertan in a polite and pleasurable way". So here you have it, a new band well worth wasting hours with. The DoneFors may be exactly what Canada needs; a pop band with a heart, a conscience and a sense of humour. Go learn how to have sex with every Canadian you like at one of their CD release shows. Hamilton is this week.
The DoneFors
w/The Subterraneans Collective, Klarka Weinwurm & Jon McKiel
Thursday, February 19
@ Pepper Jack's
Friday, February 6, 2009
PRESS - What's That noise?
By Michelle da Silva, Gloss Magazine, Toronto
The DoneFors is a Toronto-based outfit composed of The Ladybird Sideshow's Janine Stoll on vocals, Mr. Something Something's Paul MacDougall on electric guitar, Liam Smith on bass, and Superstack's Brian Lahaie on drums. The foursome came together in 2006 to form their "new favourite band." Now, with their first full-length, How To Have Sex With Canadians, about to debut (February 12), the DoneFors are taking their one-of-a-kind self-described "Canadiana Vanguard" on the road.
The band's sound is difficult to capture as they aim to push boundaries and bend genres – their only consistency being rooted in their instruments' organic sound. "In a Cornfield" is a quick-paced folksy single with its roots in bluegrass, while French tune "Septembre en France" showcases Stoll's versatile vocals in a decidedly drowsy, chanteuse-style light. "Mouth Full of Marbles" sounds like how Fiona Apple would sound if she sang jazz, and "In My Blood" is a dark, free-spirited narrative.
The DoneFors will likely bring unpredictability and improvisation to their emotionally-rich performances – their musicianship can handle it. Their unclassifiable album will be one the most anticipated of the new year, as will their tour. For a complete list of tour dates, check out the band's website at http://www.thedonefors.com/.
The DoneFors is a Toronto-based outfit composed of The Ladybird Sideshow's Janine Stoll on vocals, Mr. Something Something's Paul MacDougall on electric guitar, Liam Smith on bass, and Superstack's Brian Lahaie on drums. The foursome came together in 2006 to form their "new favourite band." Now, with their first full-length, How To Have Sex With Canadians, about to debut (February 12), the DoneFors are taking their one-of-a-kind self-described "Canadiana Vanguard" on the road.
The band's sound is difficult to capture as they aim to push boundaries and bend genres – their only consistency being rooted in their instruments' organic sound. "In a Cornfield" is a quick-paced folksy single with its roots in bluegrass, while French tune "Septembre en France" showcases Stoll's versatile vocals in a decidedly drowsy, chanteuse-style light. "Mouth Full of Marbles" sounds like how Fiona Apple would sound if she sang jazz, and "In My Blood" is a dark, free-spirited narrative.
The DoneFors will likely bring unpredictability and improvisation to their emotionally-rich performances – their musicianship can handle it. Their unclassifiable album will be one the most anticipated of the new year, as will their tour. For a complete list of tour dates, check out the band's website at http://www.thedonefors.com/.
Thursday, February 5, 2009
ODE TO INFOMMERCIALS
Dearest,
When last we spoke you were far away and I was here waiting for you. I stayed up nights watching bad TV, and those sexy commercials with the ladies and the telephones. I even bought a Magic Bullet Mini Blender and a ShamWow. I don't know why. I don't like blending food, and I certainly don't clean up after myself much anymore. Not since you left. The only thing I've really done of any significance was buy a new CD. This band called The DoneFors made a record called "How to have sex with Canadians". Funny, I know. I thought it would help me boost my mojo. Maybe it'd be a crash course in how to make a sexy digital movie Canadian styles that I could post on youtube. Maybe you'd stumble on it some day and you'd fall in love with me again. Then you'd come home and make everything better. Well, to be honest, I was only slightly disappointed that this new CD didn't really teach me much about anything sexy, but what it did do for me is immeasurable. I started brushing my teeth again, recently. Finally took the recycling out. Made plans to see my parents. I even picked up my guitar again. All these efforts were subtle, but the only thing I can accredit the change to was listening to this CD. I think that you'd really like it. It might not make you love me again, but at least you'd be happy about something. Even these beautiful sad songs seem a bit hopeful. Anyway, The DoneFors are going to be doing a CD Release Party in Toronto, and I think it would be good for me to get out. Think I'll go. Alone even. Maybe you'll wanna come after reading this. Please come. If you do, please meet me at The Supermarket in Kensington Market on Thursday, February 12th around 9:30pm. I'll be wearing clean clothes and trying my best to stay composed.
I miss you. Come home.
Love,
Stan
Monday, February 2, 2009
PRESS - Review: How to have sex with Canadians
By Steven Hurst, Glasswerk, UK
Canadian act 'The Done Fors' are an alternative mellow quartet of eclectic musicians and songwriters. The jazzy mellow feel to opening number 'The Narrator' gives a feel of an ethereal Dusty Springfield. A whimsical piece that pushes by on its on merits without so much evident in the way of direction. This picks up beat with 'In the Cornfield,' which is seems more urgent in its travel-esque tempo.
Vocal duties are shared around and even include a few guest voices on a few tracks. There is a very deliberate tonal shift not just in terms of song styles, but also vocal styles. Voices cooing one moment, can waver between on and off tone which lends this music of sounds an enigmatic quality.
For the most part the band manage to sustain the alternative styles they bring to the piece, but occasionally it can become tiresome and repetitive. Fans of last years 'Juno' soundtrack, provided mainly by Kimya Dawson (who has a repetitive style of her own) will favour this record. There is a breadth of talent that sufficiently endows the album with a slow grace.
Canadian act 'The Done Fors' are an alternative mellow quartet of eclectic musicians and songwriters. The jazzy mellow feel to opening number 'The Narrator' gives a feel of an ethereal Dusty Springfield. A whimsical piece that pushes by on its on merits without so much evident in the way of direction. This picks up beat with 'In the Cornfield,' which is seems more urgent in its travel-esque tempo.
Vocal duties are shared around and even include a few guest voices on a few tracks. There is a very deliberate tonal shift not just in terms of song styles, but also vocal styles. Voices cooing one moment, can waver between on and off tone which lends this music of sounds an enigmatic quality.
For the most part the band manage to sustain the alternative styles they bring to the piece, but occasionally it can become tiresome and repetitive. Fans of last years 'Juno' soundtrack, provided mainly by Kimya Dawson (who has a repetitive style of her own) will favour this record. There is a breadth of talent that sufficiently endows the album with a slow grace.
Subscribe to:
Comments (Atom)